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Happy Saturday!

I'm going to be doing a little maintenance today. It will likely cause a tiny interruption of service (specifically for www.dreamwidth.org) on the order of 2-3 minutes while some settings propagate. If you're on a journal page, that should still work throughout!

If it doesn't work, the rollback plan is pretty quick, I'm just toggling a setting on how traffic gets to the site. I'll update this post if something goes wrong, but don't anticipate any interruption to be longer than 10 minutes even in a rollback situation.

Weekly reading

Mar. 10th, 2026 06:48 pm
troisoiseaux: (reading 6)
[personal profile] troisoiseaux
Read a couple of books that unexpectedly ended up pairing well, tone/vibes-wise: The Wax Child by Olga Ravn, a novel loosely based on a real-life 17th century Danish witch trial, from the perspective of one of the accused women's omniscient wax doll/poppet, and I'm Thinking of Ending Things by Iain Reid, in which a young woman's road trip with her boyfriend to meet his parents for the first time (and probably last, given her doubts about the relationship) gets weird. I probably wouldn't actually have considered these similar if not for the accident of reading them back-to-back, but there's an aspect of a Greek chorus in both— in The Wax Child, a number of passages are packed-together snippets of conversations (e.g., women trading jokes and complaints over communal work like carding wool or gutting fish); in I'm Thinking of . . ., the first person POV narrative is interspersed with oblique, anonymous community gossip about a shocking local tragedy— and they're both just kind of... narratively unsettling? The Wax Child has the unhooked-from-time-ness of a story told more or less chronologically from the POV of a character who, basically, Sees All; Reid's novel takes a frog-in-boiling-water approach, the narrative peeling back layer by layer until it hits spoilers )

In War and Peace, since separating from his wife, Pierre has had an existential crisis and joined the Freemasons, because sure, why not. I had vaguely remembered his induction into the Masonic rites as a dramatic scene but this time it mostly struck me as unexpectedly funny, what with Pierre being the embodiment of tomorrow I'm going to lock in and turn my entire life around! it will definitely work this time!

Half an hour later, the Rhetor returned to inform the seeker of the seven virtues, corresponding to the seven steps of Solomon's temple, which every Freemason should cultivate in himself. These virtues were: 1. Discretion, the keeping of the secrets of the Order. 2. Obedience to those of higher ranks in the Order. 3. Morality. 4. Love of mankind. 5. Courage. 6. Generosity. 7. The love of death.

. . . But five of the other virtues {besides "love of death"} which Pierre recalled, counting them on his fingers, he felt already in his soul: courage, generosity, morality, love of mankind, and especially obedience—which did not even seem to him a virtue, but a joy. (He now felt so glad to be free from his own lawlessness and to submit his will to those who knew the indubitable truth.) He forgot what the seventh virtue was and could not recall it.

(Also funny, at least to me: the guy explaining the concept of hieroglyphs while Pierre stands there blindfolded thinking yes, I know what hieroglyphs are, and how "{a}s he was being led up to some object he noticed a hesitation and uncertainty among his conductors. He heard those around him disputing in whispers and one of them insisting that he should be led along a certain carpet.")

(no subject)

Mar. 6th, 2026 07:26 am
skygiants: the aunts from Pushing Daisies reading and sipping wine on a couch (wine and books)
[personal profile] skygiants
Sometimes you read a book at exactly the wrong time, and you're like 'god this stupid big fat fantasy novel. Why are you six hundred pages. Why is everybody Sexy. What's the point of you. I'm tired' and sometimes you read a book at exactly the right time and you're like 'thank god! actual worldbuilding!! somebody had a good time getting weird with this! please tell me more about how weird you're getting!!' and I think I could easily have gone either way on Tessa Gratton's The Mercy Makers depending on the four books I'd read just previous as well as the time of the moon. But as it happened, at the point I read it I was really hungering for something, ANYTHING that felt like it actually cared about depicting a unique and distinctive society with characters that felt like they actually belonged in that society, and The Mercy Makers gave me that in spades, so I ended up really high on it! I had a great time! Please understand that I mean it lovingly when I say that it felt like a visual novel high fantasy dating sim!

-- this is a bit disingenuous for me to say, I haven't actually played more than a bit of any of the long visual novel high fantasy dating sims I'm thinking of, but I have read extensively through [personal profile] alias_sqbr's write-ups of them and the book profoundly reminded me of something like [[personal profile] alias_sqbr's description of] My Vow To My Liege, where a player character has to play a lot of really dramatic political games to decide the fate of the kingdom, while surrounded by Hot People, and different elements of the plot will play out depending on which Hot Person she's closest to --

Okay, so we are in a fantasy empire that is built around a central religion that values Balance and forbids Heretical Magical Plastic Surgery and Medical Techniques. Our heroine Iriset, of course, is an atheist who's wildly gifted with Heretical Magical Plastic Surgery and Medical Techniques, and is also the daughter of a criminal mastermind. Iriset and her father have carefully crafted a secret identity illusion so that everyone thinks that someone else is the Heretical Magical Plastic Surgery Mad Scientist Genius and that the famous criminal mastermind's daughter is just a nice girl who's not really involved, so that when her father eventually gets arrested -- as indeed is the inciting incident of this book -- Iriset can hopefully stay free and rescue him instead of also getting arrested herself as a famous magical heretic.

For some reason, however, after her father's arrest, Iriset -- whom everyone knows is a criminal heiress but, once again, thinks is a nice and sweet criminal heiress who's not really involved, rather than an amoral heretic mad scientist -- is sort of non-consensually invited to become one of the handmaidens of the Emperor's hot sister as part of complex political schemes, so she spends the rest of the book in the palace, where she meets the following hot people:

- the Emperor, an earnest and well-intentioned young man who is really devoutly religiously dedicated to maintaining the Balance of the Status Quo
- the Emperor's sister, Iriset's boss, whose job as per official tradition for the Emperor's sibling is to be a priestess who placates the religion's divine devil-figure by going and being really sexy at a shrine every day, but has political visions and ambitions for the Empire far beyond her Sexy Role
- the Emperor's fiancee, a very sweet princess from neighboring island kingdom, who is a fundamental element of the Emperor's sister's overarching plans for an empire that expands through marriage alliance instead of conquest
- a mysterious, suffering, untrustworthy fairy sort of creature who has been publicly imprisoned behind the Emperor's throne for the past several hundred years and is now just sort of a standard part of the decor

In addition to these obviously romanceable characters, Iriset also has an existing criminal boyfriend on the outside of the palace who she's attempting to get in touch with and coordinate with about Operation Rescue Her Dad, and she also meets a palace maid and a fantasy-nonbinary magical architect (uses one of several archaic gender forms) who in the dating sim version of this would probably be secret or hidden routes.

The first, like, two hundred pages or so of this six hundred page book are mostly just Iriset wandering around the palace, trying not to be too obviously a heretical mad scientist, building various schemes for father-rescue and trying not to get distracted by much she would quite like to bang any or all of these hot people. And, again, at another time I might have gotten bored, but at this point in time I was really just enjoying the slow rich worldbuilding. It's weird! It's interesting! Everyone always wears elaborate masks and facepaint except for the foreign princess who's confused by the whole system, and we've reinvented a different kind of four humors system so everybody's like 'well of course she would act this way, she's got too much ecstatic force in her system', and the political conversation about marriage reform refers to the law that forbids conquered peoples within the Empire from marrying within their own ethnic group for a certain number of generations, and there are several archaic genders that are no longer used and people have chat about how actually we should bring them back because two is an imbalanced number and four would be much more balanced -- what I'm trying to get at is that it feels like the people in this book think in ways that are shaped by their world, and not by ours. The plot in its actual happenings is constantly contriving itself so that Iriset will be pushed into a position where, eventually, she'll have to Rebel Against Empire, but the thought patterns that get us there feel distinctive and grounded in the world and setting that Gratton has built.

But eventually, of course, we are going to have to get some plot and it is obviously going to have to involve Chekhov's Heretical Plastic Surgery and messy identity porn. the rest is spoilers )

Reading Wednesday

Mar. 4th, 2026 11:02 pm
troisoiseaux: (reading 5)
[personal profile] troisoiseaux
Read Tolkien's translation of Sir Gawain and the Green Knight, which I was not expecting to start with the fall of Troy?? (Only briefly mentioned as a sort of city, state, country, continent, Planet Earth, Milky Way Galaxy approach to setting the scene of Arthur's Britain, but I did find myself momentarily baffled about whether I'd opened the correct e-book.) Interesting to finally read the poem after having seen/read various retellings/adaptations of it— for one thing, it turns out the answer to why would Gawain jump straight to "chop this guy's head off" when presented with the challenge of "whatever blow you deal now, I'll return in one year's time"? is because the challenge was, in fact, set up that way. (Of course, even with the Green Knight kneeling and helpfully baring his neck and making unsubtle comments like I'll tell you where to find me in a year's time afterwards... if I can! If not, you're off the hook!, he could have not done that, but I guess it's a load-bearing detail of Arthuriana that absolutely no one can see a trap when they're about to walk into one or else no one would have weird adventures.) For another: ohhhhh, okay, the OT3 reading is not a stretch of the imagination at all. It also spent more time describing food, clothing, armor, horses' gear, castle architecture, and other luxuries than I would have expected - on the other hand, it also spent quite a lot of time on how to disembowel a deer?? - and each stanza ended with an ABABA rhyme scheme, although I guess in this case, we are not meant to pronounce Gawain as Gar-win
'What is here, all is your own, to have in your rule          
and sway.'
'Gramercy!' quoth Gawain,    
'May Christ you this repay!'     
As men that to meet were fain     
they both embraced that day.

Later, it also rhymes Gawain with retain, so I guess the pronunciation is supposed to be "Ga-wayne," which is frankly how I always assumed it was pronounced, until The Green Knight (2021)...?

In War and Peace, Dolokhov (of the "just fought a duel over sleeping with Pierre's wife" incident) has fallen in love with - and proposed to - Sonya, the poor Rostov cousin/ward who is in love with Nikolai but (spoiler!) he ends up jilting her for Princess Mary, and Sonya ends up never marrying and moves in with them to care for their children. ANYWAY. We are not there yet; Dolokhov has proposed to Sonya, Sonya refused out of love for Nikolai, and Dolokhov proceeded to take his revenge by needling Nikolai into gambling himself into financial ruin, because Nikolai has the backbone of a chocolate eclair as well as one (1) singular brain cell just bouncing around thinking about how much he loves Emperor Alexander.

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